Celia Ingrid Farber, New York, 2009
Chapter 1
Something is wrong with everything. One thing, but if we fix it we will be radiant once again, as good as the animals.
As if I'd seen a golden X marked on the pavement asking me to stop right there, I did. The air was wet with suspended rain and it felt nice to breathe. I wanted to keep walking, either up or down Broadway, just to think about my golden X, the thing that seemed to me to answer everything. Go home and write it down before you forget.
That man, I explained silently to the listener in my own mind, (the only one who censors nothing,) the one you met in the stairwell, the elderly Hispanic man with the Panama hat who held the doors open. Tell that story first. It's hardly anything. But it was everything, contained within the X.
You're going mad.
Keep going.
They won't like this.
Keep going.
It was like this. I came home with two heavy shopping bags. An elderly man of Hispanic origins whose name I don't know, who lives in my building, was exiting the building, he was already partway down the block. He turned back. He wanted to open the two heavy downstairs doors for me, and I tried to argue, before my inner voice caught me up and said: Let him. He wants to.
Senorita, he said, beaming a smile, allow me. He opened each door, and then he followed me to the elevator, and opened that door too, as I thanked him breathlessly. Of course of course, he said, of course I help you, what kind of society is this, that they don't want to help the women anymore? They treat the women so bad. He shook his head, and I realized he was going up the elevator to the top floor, with me, to open the final door, the elevator door on my floor. Just as we pulled up to the seventh floor, he pushed the door open as I trundled with the bags.
In this country, he said, looking me in the eye, and I stopped moving, to listen…in this country, the men, they want to be women, and the women want to be men. That's what the old man said.
Then he shrugged, smiled, and said, Adios!
Adios, I said, and smiled back.
And this was my X. The men want to be women and the women want to be men.
That is what is wrong with everything. But let me correct something about the X: The men, they want to be men, and the women, they want to be women. Now, how are we going to get there? There is bound to be hysteria, as we cross back over the bridge to our true nature.
I stood stock still on the busy sidewalk, and people looked at me as they passed. Has she forgotten something? Has she remembered something?
A formula was writing itself down, very short. What is it that makes a woman, number one, before all else, what makes her female?
That she can advance herself on a kind of fragility. That she can make people do things because they are moved by a kind of pity. She is composed of voids, of spaces that others penetrate, of strength unclaimed, of everything a civilization asks when it asks us to stop, to hold back, to have mercy. She keeps raw will in check, she is not born yet, not realized, not armed, not here. She has nothing with which to stab or penetrate.
And this is the horror of the new man, that he has assumed all this, he has taken her last and only weapon and he is using it against her. He is asking her to carry him, on her legs, on her horse, on her advantages. He is using the last weapon of a dying civilization: Weakness. It is the weapon that trumps all others, because it is composed of voids. Against it, we have no chance.
The new man has slowly become a woman. The new woman has slowly become a man. The new man is discovering the comforts of not being. The new woman is discovering the loneliness and consequences of being. His skin has become so soft, his heart so open. She no longer has the freedom to assume that she can't hurt him, that his world is elsewhere, that he can replace her, which, despite her half century of propaganda and protestations, was her only significant freedom. That he was strong and cruel and she was free to know that he was born, that he was out there, that he was in the world, that he was drinking of it, not of her but of it.
But he took the bait, he took the deal, he ate the sweetened bread in the trap to end all traps. He agreed to be bound, agreed to give up his legs, his arms, his will, his lance, horse, sex, everything. There was a time when she wanted him to do all this, to stay home, to return to her womb, as her son; It must have been that way, she must have a hand in all this, all women mus have a hand in all this.
This infinite, screaming, silent tragedy — this stillborn humanity.
The year was 2009.
Something was wrong with everything.